<?xml version="1.0" encoding="utf-8" ?> <rss version="2.0" xmlns:opensearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom"> <channel> <title> <![CDATA[Bibliothèque Centre d'Etudes de Carthage Search for 'su:CINÉMA']]> </title> <link> /cgi-bin/koha/opac-search.pl?q=ccl=su%3ACIN%C3%89MA&#38;sort_by=relevance&#38;format=rss </link> <atom:link rel="self" type="application/rss+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=su%3ACIN%C3%89MA&#38;sort_by=relevance&#38;format=rss"/> <description> <![CDATA[ Search results for 'su:CINÉMA' at Bibliothèque Centre d'Etudes de Carthage]]> </description> <opensearch:totalResults>464</opensearch:totalResults> <opensearch:startIndex>0</opensearch:startIndex> <opensearch:itemsPerPage>50</opensearch:itemsPerPage> <atom:link rel="search" type="application/opensearchdescription+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=su%3ACIN%C3%89MA&#38;sort_by=relevance&#38;format=opensearchdescription"/> <opensearch:Query role="request" searchTerms="q%3Dccl%3Dsu%253ACIN%25C3%2589MA" startPage="" /> <item> <title> Cinéma </title> <dc:identifier>ISBN:2-7073-0659-2 | 2-7073-1047-6</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=23</link> <description> <![CDATA[ <p> By DELEUZE Gilles.<br /> Paris Minuit 1996 .<br /> 2T., 298 et 379 p. 2-7073-0659-2 | 2-7073-1047-6 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=23">Place hold on <em>Cinéma</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=23</guid> </item> <item> <title> Français Méthodes et techniques, Classes des lycées , Les objets d'étude, Les épreuves du BAC, l'écrit et l'oral </title> <dc:identifier>ISBN:2-09-179425-2 | 2-09-179426-0</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=59</link> <description> <![CDATA[ <p> By POUZALGUES-DAMON Evelyne, DESAINTGHISLAIN Christophe, MORISSET Christian et WALD LASOWSKI Patrick.<br /> Paris Nathan 2004 .<br /> 2 vol.,480 et 448 p. 2-09-179425-2 | 2-09-179426-0 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=59">Place hold on <em>Français Méthodes et techniques, Classes des lycées</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=59</guid> </item> <item> <title> Histoire illustrée du cinéma </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=226</link> <description> <![CDATA[ <p> By JEANNE René et FORD Charles.<br /> Verviers Marabout 1966 .<br /> 2 vol. ,2*319 p. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=226">Place hold on <em>Histoire illustrée du cinéma</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=226</guid> </item> <item> <title> Dictionnaire du cinéma </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=229</link> <description> <![CDATA[ <p> By TULARD Jean.<br /> Paris R. Laffont 2003 .<br /> 2 Vol., 1008 et 1189 p. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=229">Place hold on <em>Dictionnaire du cinéma</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=229</guid> </item> <item> <title> Littérature du XXe siècle et christianisme </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=284</link> <description> <![CDATA[ <p> By MOELLER Charles.<br /> Paris Casterman ; Beauchesne (T.6) 1954 .<br /> 6 vol. 418 , 354 , 505 , 517 , 355 et 317 p. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=284">Place hold on <em>Littérature du XXe siècle et christianisme</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=284</guid> </item> <item> <title> Réseaux n°99 , CINEMA ET RECEPTION </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2275</link> <description> <![CDATA[ <p> Paris HERMES 2000 .<br /> 286p. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2275">Place hold on <em>Réseaux n°99</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2275</guid> </item> <item> <title> TRAFIC, n°77, Printemps 2011 </title> <dc:identifier>ISBN:9782818013281</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2318</link> <description> <![CDATA[ <p> Paris P.O.L 2011 .<br /> 143 p. 9782818013281 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2318">Place hold on <em>TRAFIC, n°77, Printemps 2011</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2318</guid> </item> <item> <title> TRAFIC, n°80, Hiver 2011 </title> <dc:identifier>ISBN:9782818014608</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2412</link> <description> <![CDATA[ <p> Paris P.O.L 2011 .<br /> 149 p. 9782818014608 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2412">Place hold on <em>TRAFIC, n°80, Hiver 2011</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2412</guid> </item> <item> <title> TRAFIC, n°79, Automne 2011 </title> <dc:identifier>ISBN:9782818014080</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2413</link> <description> <![CDATA[ <p> Paris P.O.L 2011 .<br /> 142 p. 9782818014080 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2413">Place hold on <em>TRAFIC, n°79, Automne 2011</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2413</guid> </item> <item> <title> TRAFIC, n°78, Eté 2011 </title> <dc:identifier>ISBN:9782818013946</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2414</link> <description> <![CDATA[ <p> Paris P.O.L 2011 .<br /> 143 p. 9782818013946 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2414">Place hold on <em>TRAFIC, n°78, Eté 2011</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2414</guid> </item> <item> <title> TRAFIC, n°81, Printemps 2012 </title> <dc:identifier>ISBN:9782818014639</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2508</link> <description> <![CDATA[ <p> Paris P.O.L 2012 .<br /> 142 p. 9782818014639 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2508">Place hold on <em>TRAFIC, n°81, Printemps 2012</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2508</guid> </item> <item> <title> TRAFIC, n°82, Eté 2012 </title> <dc:identifier>ISBN:9782818016558</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2509</link> <description> <![CDATA[ <p> Paris P.O.L 2012 .<br /> 141 p. 9782818016558 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2509">Place hold on <em>TRAFIC, n°82, Eté 2012</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2509</guid> </item> <item> <title> TRAFIC, n°83, Automne 2012 </title> <dc:identifier>ISBN:9782818016732</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2535</link> <description> <![CDATA[ <p> Paris P.O.L 2012 .<br /> 142 p. 9782818016732 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2535">Place hold on <em>TRAFIC, n°83, Automne 2012</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2535</guid> </item> <item> <title> TRAFIC, n°85, Printemps 2013 , Jean-Claude BIETTE, l'évidence et le secret </title> <dc:identifier>ISBN:978-2-8180-1761-6</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2595</link> <description> <![CDATA[ <p> Paris P.O.L 2013 .<br /> 190 p. 978-2-8180-1761-6 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2595">Place hold on <em>TRAFIC, n°85, Printemps 2013</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2595</guid> </item> <item> <title> TRAFIC, n°86, été 2013 </title> <dc:identifier>ISBN:978-2-8180-1909-2</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2618</link> <description> <![CDATA[ <p> Paris P.O.L 2013 .<br /> 141p. 978-2-8180-1909-2 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2618">Place hold on <em>TRAFIC, n°86, été 2013</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2618</guid> </item> <item> <title> Critique, n°795-796, Août-Septembre 2013 , Cinélittérature </title> <dc:identifier>ISBN:9782707323231</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2631</link> <description> <![CDATA[ <p> Paris Minuit 2013 .<br /> pp.612-768 9782707323231 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2631">Place hold on <em>Critique, n°795-796, Août-Septembre 2013</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2631</guid> </item> <item> <title> TRAFIC, N°88, Hiver 2013 </title> <dc:identifier>ISBN:978-2-8180-1986-3</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2677</link> <description> <![CDATA[ <p> Paris P.O.L 2013 .<br /> 142p. 978-2-8180-1986-3 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2677">Place hold on <em>TRAFIC, N°88, Hiver 2013</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2677</guid> </item> <item> <title> TRAFIC, n°89, Printemps 2014 </title> <dc:identifier>ISBN:9782818020425</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2742</link> <description> <![CDATA[ <p> Paris P.O.L 2014 .<br /> 143p. 9782818020425 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2742">Place hold on <em>TRAFIC, n°89, Printemps 2014</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2742</guid> </item> <item> <title> TRAFIC, n°91, Automne 2014 </title> <dc:identifier>ISBN:978-2-8180-2121-7</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2919</link> <description> <![CDATA[ <p> Paris P.O.L 2014 .<br /> 140 p. 978-2-8180-2121-7 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2919">Place hold on <em>TRAFIC, n°91, Automne 2014</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2919</guid> </item> <item> <title> TRAFIC, n°92, Hiver 2014 </title> <dc:identifier>ISBN:978-2-8180-2153-8</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2952</link> <description> <![CDATA[ <p> Paris P.O.L 2014 .<br /> 142p. 978-2-8180-2153-8 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2952">Place hold on <em>TRAFIC, n°92, Hiver 2014</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2952</guid> </item> <item> <title> Analyses et réflexions sur Stendhal : &quot;La chartreuse de Parme&quot; </title> <dc:identifier>ISBN:2-7298-0239-8</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=3250</link> <description> <![CDATA[ <p> Paris Ellipses 2000 .<br /> 192 p. 24 x 16 cm.<br /> 2-7298-0239-8 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=3250">Place hold on <em>Analyses et réflexions sur Stendhal : &quot;La chartreuse de Parme&quot;</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=3250</guid> </item> <item> <title> Du Littéraire au filmique , Système du récit </title> <dc:identifier>ISBN:2-200-21990-3 | 2-89518-010-5</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=3365</link> <description> <![CDATA[ <p> By GAUDREAULT André.<br /> Paris Armand Colin 1999 .<br /> 197p. 2-200-21990-3 | 2-89518-010-5 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=3365">Place hold on <em>Du Littéraire au filmique</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=3365</guid> </item> <item> <title> Nouveau Roman Nouveau Cinéma </title> <dc:identifier>ISBN:2-09-190329-0</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=3395</link> <description> <![CDATA[ <p> By MURCIA Claude.<br /> Paris Nathan 1998 .<br /> 128 p. 2-09-190329-0 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=3395">Place hold on <em>Nouveau Roman Nouveau Cinéma</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=3395</guid> </item> <item> <title> L'Analyse des films </title> <dc:identifier>ISBN:2-09-190868-1</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=3400</link> <description> <![CDATA[ <p> By AUMONT Jacques et MARIE Michel.<br /> Paris Nathan 2002 .<br /> 234 p. 2-09-190868-1 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=3400">Place hold on <em>L'Analyse des films</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=3400</guid> </item> <item> <title> Littérature et cinéma </title> <dc:identifier>ISBN:2-09-190718-9</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=3401</link> <description> <![CDATA[ <p> By CLERC Jeanne-Marie.<br /> Paris Nathan 1993 .<br /> 223 p. 2-09-190718-9 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=3401">Place hold on <em>Littérature et cinéma</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=3401</guid> </item> <item> <title> La Matière des images , Poétique et esthétique </title> <dc:identifier>ISBN:2-7475-0546-4</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=3438</link> <description> <![CDATA[ <p> By VAUDAY Patrick.<br /> Paris L'Harmattan 2001 .<br /> 380 p. 2-7475-0546-4 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=3438">Place hold on <em>La Matière des images</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=3438</guid> </item> <item> <title> La Société de consommation , Ses mythes, ses structures </title> <dc:identifier>ISBN:2-07-032349-8</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=3520</link> <description> <![CDATA[ <p> By BAUDRILLARD Jean.<br /> Paris Gallimard 2001 .<br /> 321p. 2-07-032349-8 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=3520">Place hold on <em>La Société de consommation</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=3520</guid> </item> <item> <title> Résistance et utopies , Essais sur le cinema arabe et africain </title> <dc:identifier>ISBN:9973-763-24-6</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=3653</link> <description> <![CDATA[ <p> By KHELIL Hédi.<br /> Tunis Sahar 1994 .<br /> 111 p. 9973-763-24-6 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=3653">Place hold on <em>Résistance et utopies</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=3653</guid> </item> <item> <title> Précis d'initiation au cinéma , Classes de 3e, 2e, 1re et Classes Supérieures </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=3654</link> <description> <![CDATA[ <p> By AGEL Henri et Geneviève.<br /> Paris Les éditions de l'école 1957 .<br /> 395 p. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=3654">Place hold on <em>Précis d'initiation au cinéma</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=3654</guid> </item> <item> <title> Du Plan à la Dissertation , La Dissertation française aux Baccalauréats et aux concours administratifs </title> <dc:identifier>ISBN:2-218-03923-0</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=4028</link> <description> <![CDATA[ <p> By DESALMAND Paul | TORT Patrick.<br /> Paris Hatier 1988 .<br /> 159 p. 2-218-03923-0 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=4028">Place hold on <em>Du Plan à la Dissertation</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=4028</guid> </item> <item> <title> Questions de poétique </title> <dc:identifier>ISBN:2-02-002042-4</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=4387</link> <description> <![CDATA[ <p> By JAKOBSON Roman.<br /> Paris Seuil 1973 .<br /> 510 p. , 8 textes de ce livres sont publiés dans : Huit Questions de poétique, paru aux éd. Seuil en 1977 (coll. Points) du même auteur : Voir 1204 2-02-002042-4 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=4387">Place hold on <em>Questions de poétique</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=4387</guid> </item> <item> <title> Les Théories du cinéma depuis 1945 </title> <dc:identifier>ISBN:2-09-190352-3</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=4487</link> <description> <![CDATA[ <p> By CASETTI Francesco.<br /> Paris Nathan 2003 .<br /> 374 p. , http://www.nathan-u.com 2-09-190352-3 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=4487">Place hold on <em>Les Théories du cinéma depuis 1945</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=4487</guid> </item> <item> <title> Petit manuel d'inesthétique </title> <dc:identifier>ISBN:2-02-034886-1</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=4500</link> <description> <![CDATA[ <p> By BADIOU Alain.<br /> Paris Seuil 1998 .<br /> 219 p. 2-02-034886-1 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=4500">Place hold on <em>Petit manuel d'inesthétique</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=4500</guid> </item> <item> <title> Le Silence </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=4618</link> <description> <![CDATA[ <p> By BERGMAN Ingmar.<br /> Paris Seuil, avant-Scène 1972 .<br /> 127 p. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=4618">Place hold on <em>Le Silence</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=4618</guid> </item> <item> <title> Le Procès </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=4619</link> <description> <![CDATA[ <p> By WELLES Orson.<br /> Paris Seuil, avant-Scène 1971 .<br /> 160 p. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=4619">Place hold on <em>Le Procès</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=4619</guid> </item> <item> <title> Le Signifiant imaginaire , Psychanalyse et cinéma </title> <dc:identifier>ISBN:2-264-00136-4</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=4626</link> <description> <![CDATA[ <p> By METZ Christian.<br /> Paris Union générale d'Editions 1977 .<br /> 373 p. 2-264-00136-4 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=4626">Place hold on <em>Le Signifiant imaginaire</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=4626</guid> </item> <item> <title> Cinéma et société moderne , Le cinéma de 1958 à 1968 : Godard - Antonioni - Resnais - Robbe-Grillet </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=4628</link> <description> <![CDATA[ <p> By GOLDMANN Annie.<br /> Paris Denoël/Gonthier 1974 .<br /> 248 p. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=4628">Place hold on <em>Cinéma et société moderne</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=4628</guid> </item> <item> <title> Le Cinéma expérimental , Histoire et perspectives </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=4632</link> <description> <![CDATA[ <p> By MITRY Jean.<br /> Paris Seghers 1974 .<br /> 310 p. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=4632">Place hold on <em>Le Cinéma expérimental</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=4632</guid> </item> <item> <title> Dossiers du cinéma Cinéastes 1 </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=4637</link> <description> <![CDATA[ <p> By BORY Jean-Louis et CLUNY Claude Michel (Sous la dir.).<br /> Paris Casterman 1971 .<br /> 52 fiches,8p. Table + 256 p. , Ne prêter que fiche par fiche </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=4637">Place hold on <em>Dossiers du cinéma</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=4637</guid> </item> <item> <title> Dossiers du cinéma Cinéastes 2 </title> <dc:identifier>ISBN:2-203-25133-6</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=4638</link> <description> <![CDATA[ <p> Paris Casterman 1971 .<br /> 51 fiches,9p. Table + 256 p. , Ne prêter que fiche par fiche 2-203-25133-6 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=4638">Place hold on <em>Dossiers du cinéma</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=4638</guid> </item> <item> <title> Dossiers du cinéma Cinéastes 3 </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=4639</link> <description> <![CDATA[ <p> Paris Casterman 1974 .<br /> 52 fiches,9p. Table + 256 p. , Ne prêter que fiche par fiche </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=4639">Place hold on <em>Dossiers du cinéma</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=4639</guid> </item> <item> <title> Dossiers du cinéma Films 1 </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=4640</link> <description> <![CDATA[ <p> Paris Casterman 1974 .<br /> 62 fiches,8p. Table + 256 p. , Ne prêter que fiche par fiche </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=4640">Place hold on <em>Dossiers du cinéma</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=4640</guid> </item> <item> <title> Dossiers du cinéma Films 2 </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=4641</link> <description> <![CDATA[ <p> Paris Casterman 1972 .<br /> 60 fiches,7p. Table + 256 p. , Ne prêter que fiche par fiche </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=4641">Place hold on <em>Dossiers du cinéma</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=4641</guid> </item> <item> <title> Dossiers du cinéma Films 3 </title> <dc:identifier>ISBN:2-203-25136-0</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=4642</link> <description> <![CDATA[ <p> Paris Casterman 1975 .<br /> 58 fiches,9p. Table + 260 p. , Ne prêter que fiche par fiche 2-203-25136-0 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=4642">Place hold on <em>Dossiers du cinéma</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=4642</guid> </item> <item> <title> Les Stars </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=5777</link> <description> <![CDATA[ <p> By MORIN Edgar.<br /> Paris Seuil 1972 .<br /> 190 p. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=5777">Place hold on <em>Les Stars</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=5777</guid> </item> <item> <title> Esthétique et psychologie du cinéma T.1 Les Structures </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=5798</link> <description> <![CDATA[ <p> By MITRY Jean.<br /> Paris Ed. Universitaires 1966 .<br /> 426 p. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=5798">Place hold on <em>Esthétique et psychologie du cinéma</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=5798</guid> </item> <item> <title> Langage et cinéma </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=5820</link> <description> <![CDATA[ <p> By METZ Christian.<br /> Paris Larousse 1971 .<br /> 224 p. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=5820">Place hold on <em>Langage et cinéma</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=5820</guid> </item> <item> <title> Ecrivains et cinéma , Des mots aux images, des images aux mots, adaptations et ciné-romans </title> <dc:identifier>ISBN:2-252-02499-2</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=5821</link> <description> <![CDATA[ <p> By CLERC Jeanne-Marie.<br /> Metz Université de Metz 1985 .<br /> 347 p. 2-252-02499-2 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=5821">Place hold on <em>Ecrivains et cinéma</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=5821</guid> </item> <item> <title> Ivan le terrible de Sergeï Mikhalovitch Eisenstein </title> <dc:identifier>ISBN:</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=5830</link> <description> <![CDATA[ <p> Kairouan Union régionale de la jeunesse 1967 .<br /> 113 p. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=5830">Place hold on <em>Ivan le terrible de Sergeï Mikhalovitch Eisenstein</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=5830</guid> </item> <item> <title> Voir ensemble </title> <dc:identifier>ISBN:2-07-073445-5</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=6020</link> <description> <![CDATA[ <p> By L'EXCEPTION, GROUPE DE REFLEXION SUR LE CINEMA.<br /> Paris Gallimard 2003 .<br /> 297 p. 2-07-073445-5 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=6020">Place hold on <em>Voir ensemble</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=6020</guid> </item> </channel> </rss>
